好的短篇小说就是精灵,它们极具弹性,就像物理范畴中的软物质。它们的活力并不决定于量的多少,而在于内部的结构。作为叙事艺术,跑不了是要结构一个故事,在短篇小说这样的逼仄空间里,就更是无处可逃避讲故事的职责。倘若是中篇或者长篇,许是有周旋的余地,能够在宽敞的地界内自圆其说,小说不就是自圆其说吗?将一个产生于假想之中的前提繁衍到结局。在这繁衍的过程中,中长篇有时机派生添加新条件,不断补充或者修正途径,也允许稍作旁骛,甚至停留。短篇却不成了,一旦开头就必要规划妥当,不能在途中 Good short stories are genies, they are very flexible, just like the soft matter in the physical category. Their vitality does not depend on how much, but on the internal structure. As a narrative art, it is necessary to structure a story. In such a tight space as a short story, it is even more nowhere to evade the responsibility of telling a story. If it is a medium length or a long one, there is room for maneuver and it is possible to be self-evident within a spacious realm. Is not the novel self-justification a prerequisite arising from hypothetical multiplication to the end? In this process of multiplication, there are occasional occasions in which new conditions are derived, continual supplements or amending approaches, and minor ones are allowed or even stopped. Short but failed, once the beginning of the necessary planning, can not be en route