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十六世纪初叶,教皇尤里乌斯二世为重振罗马帝国昔日辉煌,在身边聚集一大批最具才华的人为他修建皇陵和教堂,其中包括著名建筑师布拉曼特和因成功雕刻“大卫”塑像而崭露头角的青年雕塑家米开朗基罗。布拉曼特妒忌米开朗基罗的名气和才华,利用艺术总管的身份,唆使教皇让米开朗基罗放弃他所擅长的雕刻专业,为新建的西斯廷小教堂作拱顶画。米开朗基罗再三解释自己是雕塑家而不是画家,无力担当此任。但教皇心
In the early sixteenth century, Pope Julius II, in order to revitalize the Roman Empire glory days gathered around a large number of the most talented people built him a royal tombs and churches, including the famous architect Brahma and the successful carving Michelangelo, a budding young sculptor named David. Bramante jealous of Michelangelo’s fame and talent, the use of artistic Explorer identity, instructed the Pope to Michelangelo to give up his expertise in sculpture, the new Sistine Chapel for the vault paintings. Michelangelo again and again explained that he is a sculptor rather than a painter, unable to play the role. But the papal heart