论文部分内容阅读
南朝时代,以相和歌为代表的中原旧曲和南方新声—吴声、西曲在共存中实现着新、旧递嬗,在此种音乐背景下,旧曲显示出“新声化”趋向。音乐的“新声化”包括曲调和体式的新变,曲辞的“新声化”主要反映为曲辞内容的艳情化。中原旧曲“新声化”在乐府史上的意义体现在:延续了中原旧曲的艺术生命力;丰富了乐府诗的创作方式;显示了音乐在乐府艺术中的重要位置。
During the Southern Dynasties, the old songs of the Central Plains represented by Xianghe Song and the new sounds of the South - Wu Sheng and Xi Qu realized the new and old changes in the coexistence. Under this kind of music background, the old songs show “ ”tend. Music “New Sounding ” includes the melody and style of the new change, the song “New Sounding ” mainly reflects the erotic content of the song. The significance of “Xin Shenghua” in the history of Yuefu is reflected in the continuation of the artistic vitality of the old songs in the Central Plains, the creation of Yuefu poems, and the important position of music in the art of Yuefu.