当电影音乐遭遇肖斯塔科维奇,我看到、听到了另一种声音。电影音乐在我的印象中是这样的:无论情节简单、场景单一的小故事,还是场面恢弘、情节复杂的大制作,其主要功能、作用无外乎呼风唤雨、制造气氛、推波助澜。但,看完了《李尔王》,我改变了观点。在印象中,肖斯塔科维奇的音 When movie music meets Shostakovich, I see and hear another voice. The movie music in my impression is this: no matter the plot is simple, the scene of a single story, or scenes grand, complicated plot of the major productions, its main function, nothing more than the callistice, create atmosphere, fueling. However, after reading “King Lear,” I changed my point of view. In the impression, Shostakovich’s tone