魏晋以来,中国历代画论无不重视“形”“神”问题的探讨。对二者关系的把握也是历代画家在艺术实践中渴望解决的难题,对二者侧重程度的不同会造成作品风格的差异。对“形”“神”关系的认识在一定程度上反映着我国绘画理论在各个历史阶段对 Since the Wei and Jin Dynasties, the Chinese ancient painting theory all paid attention to the discussion of the question of “form ” “god ”. Grasping the relationship between the two is also a difficult problem that painters in the art desire to solve in ancient times. The difference in the degree of emphasis on the two will lead to the differences in style. To a certain extent, the understanding of the relationship between “” “shape ” and “god ” reflects that the theory of Chinese painting at various historical stages