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水彩画传入我国已有一百多年的历史,在国人以自己的认识方式和审美意识对其吸收﹑改造和融合的过程中,受传统国画的影响,使得水彩干湿并重的画法向湿画法倾斜,因此人们常用清新、透明、水色淋漓等词汇来描述水彩画的特点,甚至以此来评判水彩画的好坏。用这样单一的评判标准来制约和束缚水彩画,将会使水彩艺术越狭窄且越带片面性,不利于水彩画的发展。本文将通过几个方面的论证,批判这种认识的片面性。
Watercolors have been introduced into our country for more than one hundred years. During the process of absorption, transformation and integration by Chinese people with their own way of understanding and aesthetic awareness, the traditional Chinese painting influenced the design of watercolors to be both wet and dry Painting tilt, so people often use fresh, transparent, water color and other words to describe the characteristics of watercolor, and even to judge the quality of watercolor. With such a single criterion to restrict and bind watercolor, will make the narrower and more artful watercolor art is not conducive to the development of watercolor. This article will criticize the one-sidedness of this understanding through several arguments.