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作为艺术的生命线与发展核心节点,艺术的前沿性往往容易被误读,这是由主流艺术与前沿性艺术的差异性所导致的。主流艺术是指在主流的社会意识形态指导下,通过大众喜闻乐见的方式所呈现出来的艺术形式;前沿艺术则是试图建立新的意识形态与艺术形式而进行的努力和尝试。对主流社会意识形态与大众喜爱的艺术形式的破坏是绝然不被大众接受的,因此,前沿艺术家绝没有必要与意义和主流艺术争宠。文章在诠释艺术前沿性的基础上,分析绘画的变迁与哲学思维的关系,对艺术的未来提出拓展性的探讨。
As the lifeline of art and the core node of its development, the frontier of art tends to be easily misread, which is caused by the difference between mainstream art and cutting-edge art. Mainstream art refers to the art forms that are presented by the public in a way that is popular with the public under the guidance of the mainstream social ideology. Frontier art is an attempt and attempt to establish a new ideology and art form. The destruction of the mainstream social ideology and the public’s favorite form of art is by no means accepted by the general public. Therefore, it is absolutely unnecessary for leading artists to contend with meaning and mainstream art. On the basis of interpreting the frontier of art, the article analyzes the relationship between the change of painting and philosophical thinking, and puts forward a tentative discussion on the future of art.