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20世纪中叶,浙派人物画在浙江美术学院形成,继而辐射到全国,对中国人物画风格样式的形成和发展产生了较大的影响。周昌谷是浙派人物画的开创者和奠基人之一,他对中国人物画的色彩运用颇有心得,尤其是他研究了古代壁画和工笔重彩卷轴画中的色彩知识,研究花鸟画和山水画中工笔和意笔的色彩关系,借鉴民间年画的色彩和西方关于色彩的科学研究理论,以及西方印象派绘画对的色彩原理的理解和运用,总结出了中国人物画色彩运用的普遍规律。周昌谷认为,浙派人物画应该对西方绘画中关于色彩的理论做有选择的吸收,就如同浙派人物借鉴西方绘画造型方法中的结构,舍弃明暗的方法一样,浙派人物画可以吸收西方绘画理论中关于色彩美的科学原
In the middle of the 20th century, the figures of Zhejiang School were formed in Zhejiang Academy of Fine Arts and then radiated to the whole country, which greatly influenced the formation and development of Chinese style of figure painting. Zhou Changgu is one of the founders and founders of the Zhepai figure painting. He has some experience in using the color of Chinese figure painting. In particular, he studied the color knowledge in ancient murals and elaborate scroll drawings, Draws lessons from the color of folk New Year paintings and the western scientific research theory of color, and the understanding and application of the color principle of Western impressionist painting, summarizes the universal law of the color use of Chinese figure paintings. Zhou Changgu believes that the zheda figure painting should have a selective absorption of the theory of color in the western painting. Just as the zheshou figures draw on the structure in the western painting and modeling methods and discard the light and darkness, the zheda figure painting can absorb the theories in the western painting theory Beautiful color science original