论文部分内容阅读
这里所说的悲剧不是文学理论或美学意义上的悲剧。因为,神话中的英雄是无人称和无个性的集体命运的代表。神话故事也仅仅是事件的,而且只是活动的事件性而没有扩及到心里领域,所以它不具有构成悲剧所需要的个性特征这一要素,它仅仅是美学意义的悲剧的材料,因此,对于上古神话的悲剧,与其从美学上来探讨,不如从历史学的角度来发现悲剧所积淀的蕴。本文试就羿和鲧、娥嫦与(果攵)手的神话悲剧来探究它与社会历史的关系,从而找出神话悲剧的特点。敬请指正其间的错误。
The tragedy here is not a literary theory or a tragedy in the sense of aesthetics. For, mythical heroes are representative of the collective fate of no one and no individuality. The myth is also an event, and it is an incidental event that does not extend to the realm of the heart. Therefore, it does not have the element that constitutes the trait of personality required by tragedy. It is merely an aesthetically tragic material. Therefore, Tragedy of ancient myths, rather than from the aesthetic point of view, it is better from the perspective of history to find the tragedy accumulated Yun. This paper tries to explore the relationship between the mythical tragedy of Yi and Shao, E Chang and (fruit grub) in order to find out the characteristics of the myth tragedy. Please correct any mistakes in the meantime.