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1962年,《上海歌声》杂志社的记者胡丙堃采访姚丙炎,并同时请来了吴振平和沈仲章,根据采访的内容,胡丙堃撰写了《妙手回春——古琴家姚丙炎的打谱活动》一文,发表在1962年第11期《人民音乐》,这是第一次公开对姚丙炎琴乐风格的总结。胡丙堃指出,“姚丙炎同志的打谱优点,在于能根据乐曲内容的需要,很好地吸取各家的技法,特别能很好地继承发扬他老师徐元白先生的风格和技法特点。在节奏处理方面,不受一般已打出琴谱的
In 1962, Hu Bingkun, reporter of ”Shanghai Songs“ magazine, interviewed Yao Bingyan and invited Wu Zhenping and Shen Zhongzhang at the same time. According to the interview, Hu Bingkun wrote the article ”Playful Rejuvenation - Gu Qin Yao Yao Bingyan Play Activity“, published in 1962 No. 11 ”People’s Music“, which is the first public summary of Yao Bing Yan Qin style. Hu Bing-kun pointed out: ”The merits of Comrade Yao Bingyan are that it can well draw on the techniques of each individual according to the needs of the music content, and particularly inherit and carry forward the style and technical characteristics of his teacher, Mr. Xu Yuanbai. In terms of rhythm processing, Not generally played a piano score