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日本“民艺运动”倡导者柳宗悦先生,其所著的《工艺之道》对器物的解读,以及所倡导的艺术的大众化、实用化、无矫揉造作之气,通过器物之美,以此唤醒生命的本质与人类的本性。由造器之美继而谈到室内陈设设计,对室内陈设的研究可追溯到《后汉书·阳球传》中:“权门闻之,莫不屏气,诸奢饰之物,皆各见缄滕,不敢陈设。”其中对于陈设的解读有摆放、布置的之意。本文在此讲到的室内陈设即指室内陈列设置的物品,结合工艺的实用性、工艺中的“单纯”、以及工艺中材料
Japan “folk art movement ” advocate Mr. Liu Zongyue, his “Craft Road” on the interpretation of artifacts, as well as the advocacy of art popularization, practical, unproductive, through the beauty of artifacts, as a Awaken the essence of life and humanity. By the beauty of the device then talked about the design of interior furnishings, furnishings research can be traced back to the “post-Han Yang ball biography”: “The right to smell, breathless, luxurious things, , Not furnishings. ”Which interpretation of the furnishings have display, layout of the meaning. This article referred to here refers to indoor furnishings furnishings display items, combined with the practicality of the process, the process of “simple”, as well as materials in the process