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元杂剧《薛仁贵》的来源有两个版本,一是《元刊杂剧三十种》,一是《元曲选》,虽故事大抵相同,但在人物设置、情节处理、曲文处理、宾白设计等方面各有所异。元代杂剧家重视剧场演出实效,反映在创作上,体现“以曲为本”的观念,而明代传奇兴盛,讲究故事情节的奇崛;另,元杂剧在宾白处理上,主要依靠艺人临场发挥,而明本中宾白繁冗,但辞藻流丽,更能重视文学性。
There are two sources for the source drama Xue Rengui. One is “thirty kinds of Yuan Zaju” and the other is “Yuan Opera”. Although the stories are roughly the same, there are two different versions of the characters: story setting, story processing, Design and other aspects vary. The Yuan Dynasty acreage accentuates the effectiveness of theatrical performance, which is reflected in the creation, which embodies the idea of “music-based ”, while the legendary Ming Dynasty flourished, focusing on the story of the story of the odd rise; Spot to play, and Ben Wang Benbund white, but flow rhetoric, more emphasis on literary.