从80年代起,现代主义就肆虐的给中国艺术家布下了一个陷阱,当艺术家们自以为看到了一线光明纷然进入的时候,等待他们却是变本加厉的迷惘。转而在迷惘中,现代主义才真正与中国发生了关系,徐累的存在就是这一现实的明证。80年代末那场现代艺术运动,到后期逐渐演变成了夹杂着荒谬和心机的竞赛,前卫只是变成了一种姿态,远离了美学本质,更没有文化远见,与当初的理想背道而驰了。从加入到 Since the 1980s, modernism has ravaged the Chinese artists and has laid down a trap. When artists think they have seen the glimmer of bright light coming in, the wait for them is the result of intensified confusion. Instead, in the midst of confusion, modernism has really had a relationship with China. The existence of Xu tired is a proof of this reality. In the late 1980s, the modern art movement gradually evolved into an absurd and arduous competition in later period. The avant-garde has only become a gesture away from the essence of aesthetics and lack of cultural foresight, which runs counter to the original ideal. From joining to