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工艺美术是艺术百花园中的一朵奇葩,它犹如璀璨的群星,在人类文明史的星河中闪烁着迷人的光彩,古往今来有多少人为之迷恋、倾倒。然而在美学理论研究中,工艺美术却没有得到应有的重视,有些人不是把它视为匠人之作,以不屑一顾的态度拒于艺术殿堂之外,就是浅尝辄止,语焉不详。日本著名的民艺大师和理论家柳宗悦曾经这样感叹过:“迄今为止,美学家对这个问题又是怎样的态度呢?他们喜欢谈论美术,但是对工艺却沉默不语。即使在有所接触的场合,也不过轻描淡写,或是在文章中占一个小小的
Arts and crafts is an amazing flower in the art garden. It is like a bright star, shining with a glorious light in the Milky Way of the history of human civilization. How many people have fascinated and dumped since ancient times. However, in the study of aesthetic theory, arts and crafts are not given due attention. Some people refuse to regard it as a work of artisans and refuse to disregard the art palace with disdain. Liu Zongyue, a famous Japanese master of folk art and theorist, once lamented: ”So far, what is the attitude of estheticians on this issue? They like to talk about art, but they are silent about the craft. Contact occasions, but also understatement, or account for a small article