古诗词歌曲演唱是声乐艺术中非常特别的领域,它除了需要演唱基本技艺外,还要具有诠释古典文学的艺术修养,具备儒家“中和”音乐美学思想中的“善美”境界,尤其要有“乐由心生”“隐于内而发于外”的内韵美、含蓄美。现行古诗词歌曲中有不同种类的作品,一是古代留存的词调歌曲,如《阳关三叠》《扬州慢》等,它们是古代文人音乐的杰出代表;二是古代戏曲选段及曲艺的遗存曲,如《板桥道情》《游园》等;三是依据古诗词而新作的艺术歌曲,如《念奴娇·赤壁怀古》(青主曲)《红豆词》(刘雪庵曲)等。因其古典又现代的特殊表现需要,它们在演唱上需要不同的技艺要求。尤其是后者,从近代的赵元任、黄自等作曲家致力于此以来,古诗词歌曲就备受作曲家重 The song of ancient poetry is a very special field in the art of vocal music. Apart from singing the basic skills, it also has the artistic accomplishment of interpreting classical literature and possesses the realm of “goodness and beauty” in the musical aesthetic thoughts of Confucianism In particular, there must be “music by heart ” “hidden in the hair and in the outside ” the beauty of the rhyme, subtle beauty. There are different kinds of works in the existing ancient poetry songs. The first is the ancient preserved metrical songs, such as “Yangzhong Triad” and “Yangzhou Slow”, which are the outstanding representatives of the ancient literati music. The second is the remnants of ancient opera selections and folk songs Such as “Banqiao Daoqing” “Garden” and so on; third is based on the ancient poems and new art songs, such as “Niannuoke Chibi nostalgia” (Qingzhu Qu) “red bean” (Liu Xuean songs) and so on. Because of their special needs of classical and modern needs, they require different skills in singing. Especially the latter, since the modern Zhao Yuanren, Huang Zi and other composers devoted themselves to this, ancient poetry songs are much composer weight