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伟大的小说家在集中精力以长篇小说蕴含自己的世界观、哲学观和美学观时,总不会忘怀用短篇小说这种“短、平、快”的形式表露思想的一隅、偶得,抑或抒发一贯的言犹未尽的创作思想。鉴于短篇小说自身的特点,它常常使作家广博的思想融于短小精悍的篇幅之内,使其得到更集中、更突出的表现。小说家的短篇小说往往与其长篇有着内在的同一性、遥相呼应、互为观照,将二者联结可以窥见作家整个的创作思想、艺术手法。英国伟大的小说家、诗人D·H·劳伦斯(1885—1930)重视长篇小说,认为它最能充分展现生活。他的优秀的长篇之作包罗广博,很有气势,然而有夹杂反复议论、结构松散凌乱的缺陷。他的短篇佳作由于主题单一,显得明快、自然,足以代表他的风格和特色。
When the great novelist concentrates on how the novel contains his world outlook, philosophical outlook and aesthetic outlook, he will never forget to reveal the corner of his thoughts in the form of short, flat and fast short stories, even, or express Consistency of unceasing creation of ideas. In view of the shortcomings of the short story itself, it often makes the writer’s broad thought melt into short and slender space to get more concentrated and more prominent performance. Novelist’s short stories tend to have inherent identity with their lengthy echoes, and they are echoes of each other, and the two can be combined to reveal the author’s creative thinking and artistry. The great novelist and poet DH Lawrence of England (1885-1930) valued novels as the best way to showcase his life. His excellent lengthy essays are all-encompassing and magnificent. However, there are flaws with repeated controversies and loosely structured structures. Because of the theme of a single theme, his short masterpiece is bright, natural, enough to represent his style and character.