八大山人(朱耷)所画的《孔雀名花图》题了一首颇为令人难解的诗,诗云:“孔雀名花雨竹屏,竹梢强半墨生成;如何了得论三耳,恰是逢春坐二更。”这幅画和诗引起不少的人为之求证,只因画中绘有孔雀,而八大画中是少见的。八大其它的翎毛都很美,唯独他将原很美的孔雀画得甚丑,像被残留下的三条翎尾,很明显是八大有意刻画,并非美之能,而是不为也。其诗近年来质疑有二:一是“三耳”,一是“二更”。这两点质疑,因涉及到八大的身世、政治,及八大本人的思想和画中所表达的意境。故有人认为是一幅中国古 The “Peacock Flower Picture” by Bada Shanren (Zhu Xun) inscribes a quite poignant poem: “The peacock flower and bamboo shoot, On the three ears, it is just sitting on the spring two more. ”This painting and poetry provoke a lot of people for confirmation, only because the paintings painted peacocks, and the eight paintings is rare. Eight other feathers are beautiful, except that he painted the original beautiful peacock ugly, like being left three fins tail, it is clear that the eight deliberately portrayed, not the United States can, but not for it. In recent years, his poem has two questions: one is “three ears”, and the other is “two more.” These two issues are questioned because of the Eight Great Life Experiences, politics, and the ideology of the Eight Great My Own and the artistic conceptions expressed in the paintings. So some people think it is a Chinese ancient