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音乐本无雅俗之分,在生产力落后的古代社会,某些特定的事物需要用宗教信仰来解决,而此时音乐作为“礼”的一部分,也成为了统治者的一种附庸。能被统治者利用的音乐称之为雅乐,劳动人民在礼乐制度下没有享受音乐的权力,从而创造出了富于想象力、更符合人们情感表达的“俗乐”。雅乐与俗乐有着各自不同的内容与形式。现代音乐文化可以说是雅化和俗化同时进行的,这是中国现代社会的一个特殊现象。相当一部分的听众对高雅音乐的认可和追求力度呈上升趋势,他们对于音乐的要求和品味相当之高。我们应当研究音乐文化雅俗潮动的规律,合理平衡,适当侧重,雅俗结合,将中国新时代音乐推向世界的历史枝头。
In the ancient society with backward productive forces, certain particular things need to be solved by religious belief. At this time, music as a part of “ceremony” has also become a vassal of the ruler. The music that can be used by rulers is called Yale, and the working people have no power to enjoy music under the system of rites and music, thus creating a “folk music” that is more imaginative and more in line with people’s emotions. Allegro and popular music have their own different content and form. Modern music culture can be said to be at the same time elegant and popular, which is a special phenomenon in modern Chinese society. A considerable part of the audience on the recognition and pursuit of elegant music is on the rise, their requirements and taste of music is quite high. We should study the law of the elegance and vulgarity of music culture, reasonably balance it with appropriate emphasis, combine elegance and vulgarity, and push the music of a new era in China to the historical branch of the world.