论文部分内容阅读
这几年随着对于西方艺术史的阅读与了解,一直有一个问题在我心中萦回:是什么驱使艺术家的心灵进入自然和风景的梦幻世界?风景画作为一个独立的画种在西方艺术史上为何姗姗来迟?早在古希腊和罗马时期,就孕育出了一种田园诗的体裁。维吉尔的《牧歌》热情地讴歌大自然,讴歌“沐浴着阳光的烟雾蒙蒙的乡村幽谷的风韵”。在希腊化时期的罗马城镇庞贝的装饰性壁画中,就已经出现了日常生活的题
In recent years, with the reading and understanding of the history of Western art, there has always been a problem that lingering in my mind: What drives the artist’s mind into the fantasy world of nature and scenery? Why is landscape as an independent art of painting in the history of Western art? Belated? As early as in ancient Greece and Rome, gave birth to a genre of idyllic. Virgil’s “Pastoral” enthusiastically sang nature, Acura “bathed in the smoke of the sun’s misty rural valleys ”. In the decorative wall paintings of the Roman town of Pompeii in the Hellenistic period, problems of daily life have emerged