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在中国绘画史上,清代(一六一六——一九二),不仅绘画流派和画家数量最多,而且相关的绘画史论著述,亦超过以往的任何朝代。其中有关画理、画法、品评、画跋、画谱、画史、画家传记等方面的著作,不下数百种,著述者更是络绎不绝,江南无锡的秦祖永就是其中的一位卓异代表,行文以博物馆藏秦氏绘画作品实物为例,探究其绘画风格与师承。根据现代美术史家俞剑华记述:秦祖永(一八二五—一八八四),字逸芬,别号楞烟外史、邻烟、棱烟、桐阴生。斋堂为桐阴小隐,桐阴馆、邻烟画室、拥书楼。金匮诸生,官广东碧甲场盐
In the history of Chinese painting, the Qing Dynasty (1616-92) not only represented the largest number of schools of painting and painter, but also published more books on history of painting than any previous dynasty. Among them, there are no fewer than hundreds of books on paintings, paintings, works of art criticism, paintings and postscripts, paintings, history of paintings and biographies of painters. The writings are even more in an endless stream. Qin Zuyong in Wuxi in the south of the Yangtze River is one of the distinguished representatives, The article takes Qin’s paintings in his collection as an example to explore his painting style and teacher’s commitment. According to the modern art historian Yu Jianhua recounts: Qin Zuyong (1825 - 1884), the word Yi-fu, allegiance to foreign tobacco, neighboring tobacco, edge smoke, Tong Yin students. Zhaitong Tongyin small hidden, Tong Yin Museum, adjacent to the studio, with books. Golden pupil, official Guangdong Bi a field salt