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从饥饿/欲望体验角度考察市场转型以来艺术家形象精神语法的变迁及症候,这是目前学界尚未深入涉及的话题。作为文学介入时代的符码,艺术家形象往往构筑自成一界的寓言时空体,其精神标本式的存在具有隐喻性与转义性,是物欲时代症候的表征,这可见于他们饥饿/欲望体验中精神语法的变迁及认同焦虑:从物欲初起时以“饥饿”为精神词根与立身修辞,遭遇“顽-废-痿”的精神抛物线,到新世纪转向“无用”之用式柔性反抗,继而试图“隐身”古典音乐以彰显商品隐性强权下精神的“灵晕”。当代作家对其症候的书写既释放自身的认同焦虑,也是俯身小说临水自照,借人物镜像进行精神内视,修正、建构自我,以实现替代式治疗及对现代化进程的反思式介入。
From the point of view of hunger / desire experience, we can see the change and symptom of the artist’s image spirit and grammar since the market transition, which is the topic that the academia has not yet discussed deeply. As the symbol of the era of literary intervention, the artist’s image tends to construct a self-contained parable space-time body. Its spiritual specimen exists metaphorically and escaped, which is the symptom of the materialistic era, which can be seen in their hunger / desire experience The Change of Middle Spiritual Grammar and Cognitive Anxiety: From the beginning of the materialistic desire to “hunger ” as the spiritual root and the rhetoric, the spiritual parabola encountered “stubbornness - waste - atrophy” to “useless” in the new century The use of flexible resistance, and then try to “stealth” classical music to highlight the spirit of goods under the implicit power of the “halo”. Contemporary writers not only release their own identity anxiety, but also lean forward to take a self-portrait of the novel, take the image of the characters as their internal perspective, correct and construct themselves in order to achieve alternative treatment and reflect on the process of modernization.