20世纪以来,西方后现代和当代的众多绘画流派以极其迅猛的速度在全中国蔓延开来,并且被中国相当一部分当代画家探索及追随。在这样一股潮流兴起的同时也产生了一定的负面影响,这股潮流对一部分画家确实起到了风向标的作用,而一部分画家却被这股强劲的潮流吹得迷失了自我。更令人担忧的是,这股潮流在各大美术院校的学生当中形成了一个巨大的旋涡,很多绘画类专业的学生在刚刚步入校门的同时就被这漩涡左右得失去了重心,他们只知道毕加索所创造的立体主义变形的肖像和人体,却不 Since the 20th century, many post-modern and contemporary schools of painting in the West have spread all over China at an extremely rapid pace and have been explored and followed by a considerable number of contemporary Chinese painters. In the meantime, such an emerging trend has had some negative impacts. This trend has really played a role as a weathervane for some painters, while some painters have been blown away by this powerful trend. What is more worrying is that this trend has created a huge vortex among the students in major art schools. Many students in painting major have lost their focus on this vortex while they are just beginning to go to school. Only know the portrait of Picasso created stereotypes and human deformation, but not