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对于民国时期中国现代文化史研究的一个重要节点,就是全民抗战时期中国文化发展的机制与形态。在相对开放而又具有某种举国效应的独特的战时体制下,昔日一些民间组织和艺术家个体无法实施的宏大的雄心勃勃的理论建设的设想,在当时国民政府对于抗战文化总体战略的规划中得到了部分的实现。本文通过对抗战时期出版的《电影小丛书》的具体文本分析,来揭示中国早期电影理论作为当代中国影人重要文化资源的意义。
An important node in the study of Chinese modern cultural history during the Republic of China was the mechanism and form of Chinese cultural development during the All-China Anti-Japanese War. Under the unique wartime system that was relatively open but also had some nationalistic effect, the ambitious theory of ambitious construction that some former non-governmental organizations and artists could not implement was conceived in the planning of the then national government’s general strategy for the culture of resistance Got part of the realization. This article reveals the significance of early Chinese film theory as an important cultural resource for contemporary Chinese filmmakers by analyzing the specific texts of “The Little Film Series” published during the Anti-Japanese War.