意大利的设计界在过去的10年中,流行着一种反传统的设计思想。这种思想很难确定其发展方向,许多尝试都半途而废了,其抽象性阻碍了人们对其本质和价值的理解认识,因为这种思想常常不能由理论阐述过渡到实际设计。由于缺乏持久的探索、及其作品生命力的短暂,因此在与时尚和技术同步快速发展中,暗藏着使它堕落为仅仅是一种时髦形式的危险。但是,尽管受到了多种限制,这种思想仍有应受到重视的方面。职业的生存总是需要设计人员具备相当敏锐的思维去了解公众心理,这种外界刺激似乎已成为设计的僵硬准则。在意大利现代设计最显著的部分似乎具有表现主义与矫揉造作的风头主义特征,这种说法是由先锋派思想倡导者与挖掘“光荣传统”的设计者们同时提出的。为了使一个形象产生惊人效果,无论构思同常识和优秀鉴赏力多么不和谐,即使是一种蹩脚的看法,但一经粉饰便会引人注目了。从文化角度看,这种现象造成了思想的极大混乱,这种混乱也波及了顾客。和设计紧密相关的室内装 In the past 10 years, the Italian design community has popularized an anti-traditional design idea. It is difficult to determine the direction of its development. Many attempts have come to an end. Its abstinence obstructs people’s understanding of its essence and value, because such thinking often can not be transited from theoretical exposition to actual design. Due to the lack of a lasting exploration and the short life of his work, there is a danger of degenerating into a mere fashion form in the simultaneous and rapid development of fashion and technology. However, despite the many constraints that exist, there are still aspects of this thought that deserve attention. Occupational survival always requires designers to have a keen mind to understand public psychology, this external stimulus seems to have become the rigid design guidelines. The most prominent part of modern Italian design seems to be characterized by expressiveness and artificiality, as was proposed by advocates of avant-garde ideals and designers digging for “glorious traditions.” In spite of the astonishing effect of an image, no matter how inconsistent it is with the common sense and the excellent taste, even a crappy one, it will attract attention as soon as it is whitewashed. From a cultural point of view, this phenomenon has caused great confusion of ideas, this chaos has spread to customers. And interior design closely related to the interior