“新社会把鬼变成人。”“同甘共苦”的剧作者岳野同志,在他这出动人的好戏里,让我们看到一个“变成人”的新妇女的形象。刘芳纹是革命工作者孟莳荆的封建老婆。他很早就和她离了婚。他们怕母亲知道了难过,当时没有把双方同意了的离婚事件告诉孟老太太。刘芳纹带着儿子在乡下侍奉婆母。孟莳荆这时另娶了一个志同道合的知识分子;戏开始的时候,他们已经有了一个八岁女儿。他们都是辛勤工作的好干部。他们由于工作的缘故,几乎走遍天南地北,现在孟莳荆又被调到华北某省,当省委农村工作部副部长,这就是说,离家乡近了。多年没有谋面的老母,到省城看儿子来了。她带了一个大纲篮来。提大纲篮的是一个内刚外柔的农村妇女、孟莳荆的前妻!她来是为了农村合作社的存亡问题。 “The new society turns the ghost into a human being.” Comrade Yue Ye, the playwright of “common prosperity”, shows us the image of a new woman who has become “a man.” Liu Fangwen is a feudal wife of revolutionary worker Meng Jing Jing. He divorced her very early. They were afraid that their mother would have known her sadness when Mrs. Meng was not told about the divorce they had agreed to. Liu Fang Wen with his son served in the country mother. At the same time, Meng Jing Jing married another like-minded intellectual; at the beginning of the play, they already had an eight-year-old daughter. They are all good cadres who work hard. As a result of their work, they traveled almost all the way to the north and south. Now they were transferred to a province in northern China and the vice minister of the rural work department of the provincial committee. This means that they were away from home. Many years did not meet the mother, to the provincial capital to see his son came. She brought an outline basket. The outline basket is a just outside the soft rural women, Meng Jing Jing’s ex-wife! She came for the survival of rural cooperatives.