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1992年的《笑傲江湖之东方不败》是徐克为“笑傲”做的续集,作为一部成功武侠电影的续集,徐克却把影片的风格完全改变。也正因此,《东方不败》被看做是徐克第一部确立了个人风格的武侠作品,而从此之后的《倩女幽魂》系列、《青蛇》、《黄飞鸿》系列,一直到《新龙门客栈》,这一时期的徐克武侠出品成了票房的保证。1987年,《倩女幽魂》除获得票房佳绩外,亦夺得1988年法国Avoriaz电影节特别评判大奖、1988年葡萄牙Oporto电影节最佳影片奖及台湾金马奖和香港电影金像奖中,分别取得五项和三项奖项。这与徐氏风格有很大关系,更离不开程小东、张叔平、黄霑这三位铁三角在动作、美术、音乐上的“指导”。同时,在这一时期,虽然由他一手创立的工作室几经风雨,但工作室提供的“特效外卖”对整个香港电影影响深远。
1992 “Swordsman of the East undefeated” is Tsui Hark to “Proud” to do the sequel, as a successful martial arts movie sequel, Tsui Hark video style completely changed. For this reason, “Undefeated in the Orient” is regarded as the first Hsueh’s martial arts work to establish a personal style. From then on the series of “Ghost Story”, “Green Snake” and “Huang Feihong” New gantry inn “, this period of Xu Ke martial arts became the box office guarantee. In addition to winning the box office success, Ghost Story won the 1988 Special Award at the Avoriaz Film Festival in France. In 1988, the best film at the Oporto Film Festival in Portugal, the Golden Horse Awards in Taiwan and the Hong Kong Film Awards were respectively won Five and three awards. This has a great relationship with the style of Tsui, but also can not do without Cheng Xiaodong, Zhang Shuping, Huang Zhan three iron triangle in the action, art, music ”guidance “. At the same time, during this period, although the studios created by him were stormy, the studio’s ”takeaway delivery" had a profound impact on Hong Kong films.