论文部分内容阅读
人造毛绒并非是新鲜产物。随着上世纪50年代化学合成技术的应用,人造毛绒开始流行。当绝大多数奢侈品公司仍抱守着“货真价实”才是王道时,Coco Chanel却将关注时尚的人们带入了“假作真时真亦假”的境界。越来越多的人开始被这种带有反叛与革命色彩的东西所吸引,并为之倾倒。冬季,温暖是人们最基本的渴望,人造毛绒的出现让女人不必为了显得纤瘦而冻成冰人,同时也避免了那些有着珍贵毛皮的动物们陷入绝境。
Artificial plush is not a fresh product. With the 1950s chemical synthesis technology applications, artificial plush became popular. When the vast majority of luxury goods companies still cling to “genuine ” is the king, Coco Chanel will be concerned about the fashion of people into the “fake true or false ” realm. More and more people are beginning to be dumped by this rebellious and revolutionary thing. Winter, warmth is one of the most basic human desire, the emergence of artificial plush so that women do not have to be thin and frozen into ice, but also to avoid those with precious fur animals into despair.