俄罗斯《音乐生活》杂志记者恰普雷金娜访问德国电子音乐巨擘施托克豪森，兹将其谈话的要点摘译如下：作品演出的情况我的作品在战后演出比较少了，在六十年代的相对地高潮以后，从１９７１年起又进人低潮。但在近十七年里，由于我的音乐常常以宗教仪式的形式演出，同普通... Russian music life Magazine correspondent Chaplyina Jin visited the German electronic music giant Stockhausen, hereby the main points of the conversation are as follows: The performance of the situation My works in the post-war performance is relatively small, in the six Since the relative orgasm of the decade, it has entered another ebb tide since 1971. But in the past 17 years, because my music often performed in the form of religious ceremonies, with ordinary ...