“摆时摆”件云南怒江傈僳族人民最喜好的一种群体对歌形式,表现为一领众和。内容以爱情主题为背景即兴填入了大量反映现实的词,借此抒发内心真实丰富的情感。原始、古朴是怒江傈僳族文化型态的基本特征,在音乐上较为集中地体现在“摆时摆”各个方面。1.“摆时摆”是省略了角音的五声音阶徵调式。以五度相生而构成,在进行了三次相生后既可得出该调式音:官—徵—商—羽。徵、官是曲调的核心音,旋律运动基本以这两个音为主而构成的纯四度音程:徵— “Pendulum swing” pieces of Yunnan Nujiang Lisu people most like a group of song forms, manifested as a leader and. The content is based on the theme of love impromptu filled with a large number of words that reflect the reality, to express the true emotion of the heart. Primitive and ancient are the basic characteristics of Nu Wa Lisu cultural patterns, which are more concentrated in the music in all aspects of the “pendulum”. 1. “Pendulum swing” is the omission of the pentatonic tone pattern. It is composed of five degrees, and can be obtained after three times of birth: official - sign - business - feather. Levy, officer is the core tone of the melody, the basic melodic movement consisting of these two tone-based pure four-degree interval: Zheng -