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金元北曲的曲牌成份是由多民族的音乐构成。若进一步从金元时期的文化政策、文化风尚、文化交融进行考察 ,可以看到 ,金元北曲既是北方汉族民歌俚曲、汉族传统古曲与北方少数民族蕃曲相互碰撞、相互渗透、相互交融的产物 ,又形成了以北方汉族民歌俚曲为主体的格局。这种融多元性与主体性为一体的特点 ,使金元北曲成为一种不同于宋代词乐的崭新的音乐 ,开创了元明曲乐的新时代。
Qu Yuanbei song composition is composed of multi-ethnic music. If we further examine the cultural policies, cultural customs and cultural blending during the Jin and Yuan dynasties, we can see that the Northern Songs of Jin and Yuan Dynasties are not only the song of the Han nationality folk song in the north, but also the collision and mutual infiltration of the traditional Chinese ancient song and the Northern minority nationality. Blend of products, but also formed a northern Han folk song as the mainstay of the pattern. The combination of multidimensionality and subjectivity makes Jin Yuan Bei Qu a brand new music different from that of the Song Dynasty and opens up a new era of Yuan Ming music.