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文章通过对明清两代的陶瓷雕塑的彩饰研究,分析了因彩瓷工艺、材料的出现逐渐代替了陶瓷雕塑的刻划和堆素塑的装饰方法,也逐步改变了原先人们欣赏单一颜色釉的审美习惯,从而产生了独具特色的彩饰意味。
Through the study of the decoration of the ceramic sculpture of the Ming and Qing dynasties, the paper gradually replaced the sculptures of ceramic sculpture and the decoration of the pile of plastic and plastic due to the appearance of the colorful porcelain craft and materials, and also gradually changed the original appreciation of the single color glaze Aesthetic habits, resulting in a unique color decoration means.