王丹在金石书画创作方面的艺龄虽只有十余年,但基本上却可以分作两个时期——八五年之前,他的风格基本上是继承了并局限在北朝碑刻体系之内的,因而王丹的风格是雄浑的、拙朴的、宽博的,体近《郑文公碑》,其时他的创作亦以大件作品为多;八五年浙江美术学院进修之后,他的眼界大为开阔,同时其作品风格中本来单纯的雄浑、拙朴,又渗入了只属于南方才明显突出的娟秀的体势和潇洒的风采,而且又并不失北魏书风的宽博、大度。“相反相成”,具有奇逸洒落的品味。 Although Wang Dan had more than ten years of art in painting and calligraphy, he basically divided it into two periods. Before 1985, his style was basically inherited and confined to the northern inscription system , So Wang Dan’s style is vigorous, simple, broad, and close to the “Zheng Wengong Monument”, when his works are also large works as much; in 1985 Zhejiang Institute of Fine Arts, his The field of vision is vastly open. At the same time, his style of work was purely vigorous and simple. It infiltrated the body and chic style of Juanxiu, which was obviously only prominent in the south, without losing the broad and profound style of the Northern Wei Dynasty degree. “Contrary to each other”, with surprising spilled taste.