现今为止,战国时期遗存下来的绘画中较为著名的是集中在楚地的几幅帛画。帛画中的形象以龙、凤、人或与其它动物的复合体为主。这些形象在《山海经》这本远涉氏族社会现实世界与想象世界的文本描述中大多可找到对应的联系。而帛画的出土位置是楚人对待人死后的灵魂与魄体的态度在墓葬风俗上的反映。可以说是用图与文的同构勾画了一幅战国楚地神秘浪漫的文化图景。 So far, the most famous painting in the Warring States period is a few silk paintings centered on the Chu. Silk paintings in the image of the dragon, phoenix, or complex with other animals based. Most of these images can be found in the textual description of “Shan Hai Jing”, a real world and an imaginary world far beyond clan society. However, the unearthed silk painting is the reflection of the attitude of the soul of the Chu people after the death of the deceased in the custom of the tombs. Can be said that the isomorphism of the map and the text outlined a mysterious and romantic cultural scene of the Warring States Chu.