明清女性剧作家的作品虽然不是明清文学中的“主流” ,但是随着女性作品经典化的世界性趋势 ,我们有必要重新阅读和阐释女性剧作家的剧本。明清女剧作家的作品现存的不多 ,但是极富特色 ,她们笔下木兰式的人物曲折地反映了她们心中的“木兰”情结 ,这种木兰情结或是宣泄 ,或是隐匿 ,真实反映出女性作家文学创作的木兰式境遇。要摆脱这种木兰式境遇 ,就要从木兰情结过渡到后木兰情结 ,这是一个艰辛而漫长的突围过程 Although the works of the female dramatists in the Ming and Qing Dynasties are not the “mainstream” in the literature of the Ming and Qing Dynasties, with the worldwide trend of the classicization of the female works, it is necessary for us to read and interpret the plays of the female dramatists. Ming and Qing women’s playwright’s works are few, but very unique, they describe the Mulan style twists and turns in their hearts, “Mulan” complex, this Magnolia Complex either catharsis, or hidden, a true reflection of The Mulan Circumstances of Female Writer Literary Creation. To get out of this Magnolia-style situation, it is necessary to make a transition from magnolia complex to the complex of magnolia, which is a difficult and long process of breakthrough