近三十年来,中国关于少数民族民间文学的研究从陈旧的话语系统及主流或作家文学研究理论影响的焦虑中挣脱出来,引入与借鉴西方民间文学研究的各种方法论,试图依赖于跨学科视野,从不同角度、不同理论层面来建构中国少数民族民间文学的理论框架,并且树立自己独特的批评品格。 In the past thirty years, China’s research on minority folk literature has been emancipated from the old discourse system and anxiety influenced by the mainstream or writers’ literature research theories. Various kinds of methodology in the study of western folk literature have been introduced and borrowed, trying to rely on interdisciplinary perspectives , From different angles and different theoretical levels to construct the theoretical framework of Chinese minority folk literature, and establish their own unique character of criticism.