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在这个钢筋水泥的人造社会中,所有人都生活在拔地参天的高堂广厦之间,急于通过一条捷径迅速到达目的地。人们不再停下脚步去观赏动植的生长定律,人们似乎都已忘却了自然的形态万千,遗忘了人世间的本末相顺。然而成为艺术家本身,就是一段充满艰深修行的路程。李亚作为中国传统花乌画画家,在二十余年的绘画生涯中,笔下的花鸟、虫鱼、山水、人物,皆是立型于自然,立意于人世。他笔补造化,所提示的,所诉说的是一个舍得花上大把光阴,细品万物和谐完善的共生之生。
In this reinforced concrete man-made society, everyone lives in the towering Gaotang Guangxia, eager to quickly reach their destination by a shortcut. People no longer stop to watch the law of growth of animals and plants. People seem to have forgotten the natural forms and forgotten the sameness of the world. However, becoming an artist itself is a journey full of arduous practices. As a traditional Hua Wu painter in China, Li Ya spent more than 20 years in painting career, writing about birds and flowers, fish, landscapes and people. His pen to create, prompted, the complaint is a willing to spend a lot of time, fine everything harmonious and perfect symbiotic life.