中国电影已远离现实太久。近年,中国导演制作出的片子自觉或不自觉地向两极分化:一边是议炫目、特效、明星、粉丝为卖点的商业大片,在用视觉盛宴换取票房之后所能留存下的不过是浮华的灰烬;另一边是知识分子孤芳自赏式的艺术片,这些电影大多沉浸于导演的私 Chinese movies have been far from reality for too long. In recent years, the films made by Chinese directors have consciously or unconsciously polarized their films. On the one hand, commercial films featuring dazzling, special effects, celebrities and fans as selling points are no more than flashy ashes after the visual feast is exchanged for the box office ; On the other side is the intellectual art style of solitary self-reliance, most of these movies immersed in the director’s private