中国当代绘画走向成熟的标志,在于是否建立有历史凭借和现实依托的艺术品格和语言体系。以往在创新的口号下进行的潦草的实验,已成过去;深入而广阔地吐纳传统资源,独立而自在地表达,在表达中形成语法和叙述风格,是画家的当务。在水墨画中,笔墨无疑是难以回避的问题,但是发生在艺术实践者之间关于笔墨价值的争论,可能使问题变得非常简单——假如争论的结果未能否定其中任何一方的实践成果,那么,合乎逻辑的结论 The sign of the maturity of Chinese contemporary painting lies in whether or not to establish an artistic style and language system based on historical evidence and reality. The scrawled experiments that have been carried out under the slogan of innovation in the past have already become a thing of the past. It is painter’s task now to comprehensively and thoroughly expound traditional resources, express it independently and freely, and to form grammar and narrative style in expression. Ink and wash is undoubtedly an unavoidable issue in ink painting, but the controversy over the value of ink and brush that occurs among art practitioners may make the question very simple - if the outcome of the argument fails to deny the practical outcome of any of them , The logical conclusion