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近几年来,我国的观众对话剧有些冷漠,话剧界的同志们都在为此而焦虑不安。有些有志之士,则在党的改革政策的鼓舞下,为提高话剧的思想艺术质量,苦心孤诣地探索、追求一种有中国特色的、能受广大青年观众欢迎的、崭新的话剧艺术表现形式。前不久看了空政话剧团内部彩排的新戏《W M(我们)》,我激动不已,彻夜难眠。我钦佩部队青年作家王培公和中年导演王贵同志这种严肃认真、勇于创新的精神。他们既没有打着“走正路”的旗号,固步
In recent years, there has been some indifference on the drama in our country, and the comrades in the drama world have been anxious about it. Some people with lofty ideals, inspired by the party's reform policy, have painstakingly explored and pursued a brand-new drama art form with Chinese characteristics that can be welcomed by a large number of young audiences in order to improve the ideological and artistic quality of drama. Not long ago I watched the new play “W M (Us)” of the internal rehearsal of the Air Show Repertory Theater. I was so excited and sleepless nights. I admire the serious and innovative spirit of young force writer Wang Peigong and middle-aged director Wang Gui. They neither hold the banner of “going the right way” and stand still