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点击理由观程风子之画,野趣扑面,跌宕不羁,很难从某个家数中找到规律。就像一盘散棋,四面出击,胜券又自在画者胸中。观程风子其人,率性又多才、多艺、多情。他师承似多,细看又无。作画不拘,不滞,不雕琢。技巧只是手段,情语才是他的目的。程风子每逢远游,运作自如,白纸在他的笔底尤如“大珠小珠入玉盘”或如乱柴般交错纵横,应了禅语的境界。他决不受限学院派的对景写生法,而是将眼中的山水放置胸中,云烟供养。这使他的画就有一个很大的取舍空间。
Click the reason to see the way the wind paintings, wild fun, ups and downs unruly, it is difficult to find a rule from a few. Like a plate of scattered chess, attack on all sides, wins the courage to draw freely. The journey of the wind of its people, rate and talent, multi-arts, passionate. He is like a teacher, look no more. Painting informal, non-lagging, not carved. Skill is only means, the language is his purpose. Cheng Fengzi every far tour, work freely, white paper in his bottom as “ beads beads into the jade plate ” or as chaos Chai like staggered vertical and horizontal, should be the realm of Zen language. He is by no means bound by the academic school of landscape painting, but the eyes of the landscape placed in the chest, cloud and cloud support. This makes his paintings have a great choice.