在中国画人物专业写生是一个老话题,写生在不同的时代、不同的体系中几经变革。新中国成立初期,大力提倡现实主义,以写实素描改良中国人物画蔚然成风,这一现象的形成有其偶然性,也有大时代背景下的必然性。众所周知,多位留法的老一辈艺术家在国外接受了各种形式的绘画语言,可归国后唯写实一脉成为主流统治画坛几十载,这是特殊历史时期的需要。当艺术变为宣传工具时传播就尤为重要,传播的前提是理解,写实就是当 Drawing sketches in Chinese characters is an old topic, sketching in different times and in different systems after several changes. In the early days of New China, vigorously advocating realism and using realistic sketches to ameliorate the Chinese figure painting became common practice, the formation of this phenomenon has its chance and necessity in the context of a grand era. It is well-known that the artists of older generations who have stayed abroad for many years have accepted various forms of painting language abroad and only after they returned to China became the mainstream dictatorship for decades. This is the need of a special historical period. Dissemination is especially important when art becomes a propaganda tool, the premise of communication is understanding, and reality is when