明代是我国封建社会最后一个重建汉族统治的朝代,它试图在社会文化生活的各个方面规避和去除以蒙古贵族统治为核心的“元”的影响。反映在绘画方面,就体现在对宋代绘画制度的恢复及绘画风格的推崇上,于是,宫廷绘画蔚然成风。与宫廷绘画有密切联系、处处讲师承的“浙派”绘画成为当时的一大主流。同时,在长江中下游的苏州、南京、松江等远离京 The Ming Dynasty was the last dynasty to rebuild the Han dynasty in the feudal society of our country. It attempted to circumvent and remove the influence of “Yuan”, which is centered on Mongolian aristocracy in all aspects of social and cultural life. Reflected in the painting, it is reflected in the resumption of the Song Dynasty painting system and respected painting style, so the court painting has become common practice. Closely linked with the court painting, lecturers bearing the “Zhepai” painting became a major mainstream at that time. Meanwhile, Suzhou, Nanjing and Songjiang in the middle and lower reaches of the Yangtze River are far away from Beijing