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我一直认为鉴宝类节目应该以普及古今器物知识为宗旨,表达雅俗共赏,节目气氛活跃,如果确有背后的关联故事,讲出来相得益彰,使器物更为饱满,也是可取的。但是,必须杜绝无中生有、胡编乱造、没有深度、使人哭笑不得的故事。收视率的高下,不是故事,而是知识,使人开机有益。至于估价也是确有市场行情的背景下,顺便一提,让观众得到投资的经验和教训,寓教于乐。评估艺术品盲目虚高、信口开河,变成了大跃进式的亩产十万斤粮,误导观众,绝不可取。我很多期婉拒了编导的好意,就是基于以上的想法所致,这些话我也反复在我们的会议上直言不讳讲过。更主要是怕浪费时间,前期
I always think that Kam Po programs should popularize the knowledge of ancient and modern artifacts for the purpose of expressing elegance and common customs, and the atmosphere of the program is lively. If there is indeed a related story behind it, it is also advisable to state that each supplement will be enriched and enriched. However, it is imperative to put an end to the story of being out of nothing, making up trouble, making no depth and making people laugh and cry. High ratings, not a story, but knowledge, people boot useful. As for the valuation is indeed the context of the market, by the way, let the audience get the experience and lessons learned, edutainment. It is definitely not advisable to assess the artlessness of the artwork, its opening of mouth, and its transformation into a Great Leap Forward. It is based on the above thoughts that I have declined many of my directors’ goodwill in so many stages and I have spoken out repeatedly in these meetings. Mainly afraid of wasting time, early