很多时.对于美术我总处于一种游离状态.在距离音乐及文字的一个分界点上,它可以保持一种近乎暧昧的姿势存在于那里.我想自己更偏爱这种疏离的方式.就像偏爱文明开始之前的那种人神共处时的简单蛮荒.一种更接近纯净的存在。它可以隔离于庞大的文明支脉.而更趋向于单一的精神内部.更接近生命本身最原始的那片区域.那些埋藏于记忆之中的恐惧与敬畏。在时间的 In many cases, I am always in a state of flux for art, and at a point of separation from music and writing, it can maintain an almost ambiguous position where I prefer to prefer this alienation. Prevailing civilizations, simple pre-famines, where humans and gods live together, a more purer existence. It can be isolated from a huge branch of civilization, and more so as to be within a single spiritual interior, closer to the most primitive area of ​​life itself, and to those who are buried in memory of fear and reverence. In time