先说相识。我和《中华活页文选》结缘,是通过高一时一本小小的特刊——古诗词阅读专号。时隔八年,记忆中她的封面模糊,但是印刷规整,页面干净,封面用类似国画中熟褐的颜色。翻开来看,前面几页是经典古诗文名篇的赏析,篇幅都不长,但是选材很广泛。古典文学作品浩如烟海,仅读课本并不解馋,通过《中华活页文选》的编辑的遴选,各个朝代的文人的真性情都展现在我眼前。屈原是忧愤的,陶渊明是淡泊的,我曾给它们粗糙地贴上标签,是因为肤浅地读 Let me talk about each other. My connection with the “Chinese loose-leaf compilation” was to read the special number through a little special edition, the ancient poetry. Eight years later, her cover in the memory was ambiguous, but the printing was regular, the page was clean, and the cover had a similar brown color in Chinese painting. Turned over, the first few pages are examples of classic classical poetry, which is not long, but the selection is very extensive. Classical literary works are so voluminous that reading textbooks alone does not solve them. Through the selection of editors of “Chinese loose-leaf textbooks,” the literati’s true nature of each dynasty is displayed in front of me. Qu Yuan is angry and Tao Yuanming is indifferent. I once labelled them rough because they read superficially.