织绵靠垫《四君子》的设计,取材于花卉中的“梅、兰、竹、菊”。在构思和立意上保持了我国的传统风格。画面运用了中国画“左一右二”的这一构图原理(指画面布局的疏密聚散,使画面左右有轻重变化)画中的梅花迎春开放和喜鹊报春,象征着春天即将来临。靠垫边角运用较聚密的布局手法,采用带有民间风味的 Woven cushions “Gentleman” design, drawn from the flowers in the “plum, blue, bamboo, chrysanthemum.” In the conception and conception, our country’s traditional style has been maintained. The picture uses the Chinese painting “left one right two” principle of the composition (referring to the layout of the dense and scattered, so the screen has a slight change in the picture) Plum blossom spring and magpies open spring, a symbol of spring is coming. Cushion edge more dense use of layout techniques, with a folk flavor