用水墨表现阳刚或者朴拙斑驳之古迹,吃力而不讨好,所以,我采取甚多西画表现常用之技法,特别是拓、印、喷、洒以及油画之肌理,甚至素描之碎细笔触。有时也用重彩来表现单一的题材。如何在主观的创作理念和客观的写景中求取艺术的谐和,常令我费尽心力。 Therefore, I have adopted many techniques commonly used in Western painting, especially the brushwork, drawing, spraying, sprinkling, and the texture of oil painting, and even the fine brush strokes of sketches. Sometimes with a color to show a single theme. How to get the harmony of the art in the subjective creative idea and the objective scene of writing often makes me try my best.