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在《中国戏剧》2013年8期上,读到傅瑾先生的文章《戏曲表演理论刍议》。这是一篇讨论中国戏剧表演体系理论构建的文章。傅瑾先生在这篇文章中,把表演体系和中国戏曲的整个创作方法的理论体系等同且混淆起来。也就是他把“虚拟、程式、写意”这三个既属表演体系、更是中国的戏曲艺术方法整体理论体系中,理念性、法则性、基础性概念同具体表演
In “China Drama” 2013 8 period, read Mr.Fu Jin’s article “Opera Performance Theory”. This is an article discussing the theoretical construction of the Chinese theater performance system. In this article, Mr. Fu Jin equates and confuses the theoretical system of the performance system with the whole creative method of Chinese opera. That is, he put “virtual, program, freehand” these three are both performance system, but also the overall theoretical system of Chinese opera art method, the concept of the law, the basic concepts and specific performance