李欧梵在《上海摩登》引入公共空间的概念,作为讨论都市文化与现代性的背景。本文对“公共空间”这一概念及其在书中的具体含义进行梳理,探讨公共空间所带来的新都市文化内容。笔者认为李欧梵在谈论都市文化时将着眼点落于消费对象,而忽略了随着上海公共空间出现的服务群体在都市文化中的位置,并在此基础上进一步讨论公共空间消费过程中事实层面与想象层面的偏差。 Li Oufan introduces the concept of public space in “Modern Shanghai” as the background for discussing urban culture and modernity. This paper sorts out the concept of “public space ” and its specific meaning in the book to explore the new urban culture brought by public space. In my opinion, when discussing urban culture, Li Oufan will focus on consumer objects while ignoring the fact that with the emergence of service communities in Shanghai’s public space, the location of the service groups in urban culture and on this basis further discuss the factual aspects of public space consumption Imaginative bias.