近年来,二十世纪四十年代的海派文人——被誉为“张爱玲门生”的东方蝃蝀得到了越来越多学者的瞩目,本文试图以人民文学出版社《伤心碧》中所收录的其四十年代所作短篇小说为对象,并着重以其小说中浓郁的古典情结和三大类深深沉溺于传统梦魇的女性形象为切口,揭开东方蝃蝀神秘面纱的一角。 In recent years, more and more scholars paid more and more attention to the literary oriental scholars known as “Eileen Chang’s Lovers” in the 1940s. This paper attempts to use the " The short stories collected in the 1940s are the objects of the study. The focus of this book is on the rich classical novels and the three categories of women deeply indulged in the traditional nightmare.